Knowing how many of you here are attached to music and guitars (air playing or for real) I figured there were be some disagreement about The Grauniad's choice of Top 20 Glam Rock Songs. I would say several should not be there and for PC reasons GG cant have any mentions. Plus of course it was a time when we could experiment with makeup and looking glamorous.

There is a an exhibition at the Tate in Liverpool from Feb 8 on Glam Rock, link is below with pix of some of your fave artists

http://www.guardian.co.uk/music/gallery/2013/feb/01/popandrock-davidbowie?in

Listed below is the Top 20 as Jon Savage sees it. Some wag in the comments with the article said "I think all glam bands were described as 3 bricklayers and a pretty boy wearing lipstick, except for Mud, who were 4 bricklayers".

I am sure there will be loads of comments about your favorite artists and tracks from the era when you could wear make up and strut your stuff. And even if you dont have a Top 20 Glam Rock songs you must have one that you like

hugs

Pauline xxxx


1 T-Rex, Hot Love July 1971

Marc Bolan's third huge hit in a row, No 1 for four weeks. His Top of the Pops performance showed him going truly imperial, with flying-V guitar, pink trousers, silver jacket and, prompted by his friend and colleague Chelita Secunda, glitter on his cheekbones.

2 David Bowie, Queen Bitch December 1971

"There should be some real unabashed prostitution in this business," Bowie told Cream magazine in late 1971. He did his best to make it happen with this Velvet Underground tribute, saturated in homosexuality and Manhattan sleaze. Mick Ronson's guitar slices through everything.

3 Alice Cooper, School's Out April 1972

From Detroit by way of LA, these hard rockers had been wearing makeup and frocks since 1969, so were well-suited to the glam imperative. School's Out was a definitive entrant in the teenage rampage stakes and scored hard with the kids, hitting No 1 for three weeks in the summer holidays.

4 Roxy Music, Virginia Plain August 1972

With Bryan Ferry's ultra-stylised performance and Eno's other wordly synth shrieks, this one definitely arrived from Planet Mars in the late summer of 1972. Chock-full of pop art and pop culture references, Virginia Plain was nothing less than a manifesto for a new age: "So me and you, just we two, got to search for something new."

5 Mott The Hoople, All the Young Dudes July 1972

Bowie may have provided the raw material, but Mott gave the definitive performance of this generation-defining song, with its sneering reference to the Beatles and the Stones. The musicians curled and uncurled around Ian Hunter's snarling voice: "Oh is there concrete all around/ Or is it in my head."

6 Lou Reed, Vicious November 1972

Another Bowie production, and another career revival. Vicious begins Reed's second solo album in exactly the way that you would wish, with the poet laureate of Manhattan spitting out the Warhol inspired lyrics – "Vicious: you hit me with a flower" – while Mick Ronson, cutting through everything, embodies the song's threat.


David Bowie - The Jean Genie on MUZU.TV.
7 David Bowie, The Jean Genie November 1972

Bowie reached back to his 60s R&B days with this one, based on the old I'm a Man riff but updated with Ronson's buzzing guitar, burlesque rhythms, gay double entendres – his by-now patented patch. The band did a fantastic Top of the Pops performance, recently rediscovered.

8 Slade, Cum On Feel the Noize February 1973

This was their fourth No 1 in 18 months, which gave guitarist Dave Hill an excuse – as if he needed it – to wear ever more outrageous outfits on Top of the Pops. An anthemic chorus and a lyric that's a direct invitation "to get wild, wild, wild".


Roxy Music - Editions Of You on MUZU.TV.
9 Roxy Music, Editions of You March 1973

"For Your Pleasure" – with model and singer Amanda Lear on the cover – is one of the period's few coherent albums, and this 120mph rocker is one of its hidden pleasures: a camp-saturated male bonding song, featuring ooohs, sirens, and the immortal line, "boys will be boys will be boyoyoys".

10 Bonnie St Claire, Clap Your Hands and Stamp Your Feet May 1973

With its stomping tunes and rock'n'roll roots, glam was huge on the continent – blending, as it would, into Europop – and this is a great entrant from Holland, featuring Beach-Boys' style backing vocals, terrace handclaps, and of course the ever-present Chuck Berry riffs.

11 T-Rex, 20th Century Boy May 1973

It could have been any of the four top-two hits that T-Rex had in 1972 – particularly Metal Guru – but this was the toughest of them all: a furious rocker with a heroic riff that showed, plain for all to see, just how well Bolan understood the nature of pop fame – 20th century toy, I wanna be your boy.

12 Iggy and the Stooges, Search and Destroy June 1973

Iggy wore silver, the Stooges were produced by David Bowie, the record sounded glam – all treble tones and slicing guitar – but Search and Destroy, like its parent album Raw Power, went much further and deeper than hardly anyone wished in 1973. Three years later, it would find its time.

13 New York Dolls, Trash July 1973

Simultaneously ludicrous and tough, sloppy and hard, vicious and tender – just listen to those soaring, girl-group harmonies – Trash was, along with Jet Boy, the Dolls' big pop move. It being 1973, of course, there could only have been one question: "Uh, how do you call your lover boy?" In the US, they didn't answer.

14 The Sweet, The Ballroom Blitz September 1973

The Sweet were on a roll after Blockbuster and this may well be the archetypal glam song: teenage hysteria – check; camp interjections and beyond over the top TV costumes – check; a stomping beat, tough guitar riffs and a fey vocal – check. Unstoppable and still thrilling: the contrived becomes real.

15 Mud, Dyna-Mite October 1973

Written by the Sweet svengalis, Nicky Chinn and Mike Chapman, "Dyna-Mite" stays firmly within the ballroom – glam's central location – during this relentless stomper. Mud yocked it up on Top of the Pops with ludicrous flares and a spot of aceing – the biker's dance, shoulder to shoulder – and the future Sex Pistols were listening.

16 Suzi Quatro, Devil Gate Drive January 1974

Quatro had gold-plated garage credentials – her first band, the Pleasure Seekers, had recorded What a Way to Die in 1966 – and this, her fourth hit (No 1 for two weeks), mixes rock'n'roll with a hint of the Burundi beat, while continuing the explosive club/ballroom theme of the time with a hint of autobiography.

17 Sparks, This Town Ain't Big Enough for Both of Us April 1974

Sparks were the late great glam flash: tricky, artificial, super-hooky and high-concept, with a hard rocking band and definitive high gloss sleeves. They took a song with the lyric "you hear the thunder of stampeding rhinos, elephants and tacky tigers" all the way to No 2, and made it seem natural.

18 David Bowie, Rebel Rebel US version May 1974

Bowie's goodbye to the youth movement he had helped to form – "You've got your mother in a whirl, because she's not sure whether you're a boy or a girl" – and his last top 10 hit for 18 months. This US mix has dreamy backwards harmonies, extra percussion and phased guitar.

19 Iron, Virgin Rebels Rule June 1974

Almost all the great glam records were hits, but this is one of the best that wasn't: an abrasive slice of Sweetarama from a Scottish band, who toughened up the teenage-rampage meme while wearing Clockwork Orange-inspired costumes. The singer had a padlock on his crotch with the legend: "No Entry."

20 Sweet, The Sixteens July 1974

A four-minute mini-opera on the theme of failed youth revolution, and a summer top-10 hit, this shows the renamed group – having lost the definite article – rising to the song's complex structure with a totally convincing performance. The Sixteens is a classic of teen disillusionment, at the point of glam's supersession.


• Glam! The Performance of Style is at Tate Liverpool from 8 February

I love this!!!!

That's it, drag me back to my childhood.... and I think of the 20 I would choose T-rex, 20th century boy, still one of the great pieces of music and instantly recognisable from the opening chords.... also been covered a lot, which says it all... oh and by the way, why are you a "grumbler"?
Amy xxx

Stop making me feel old you terrible lot. The oldest one on here came out when I was a sophisticated student at university! In fact this was just before I was cruisin for a bruisin with the Iron Lady's team the following year. Happy days but not so much pop at that time more of Pink Floyd Pillows of Wind

I'd be between 3 and 6 when these were out :-D

I remember my cousins who were in their early teens, listening to a couple of them though. We (my sister and I) use to try to dance like them.

Always love a bit of glam rock. Went to see Suzi Quattro and showaddywaddy a few years ago, absolutely brilliant xx

the first single I bought was the Sweet - Hell Raiser, what a tune, so ahead of it's time, the reason I love classic rock...

Love a bit of glam rock,specially Marc Bolan,my favorite is T.rex & Marc Bolan,Get it on,Absolute classic

Hey girls - take a walk on the wild side xxxxxx

bitz bitz bitz ballroom blitz oooh block buster

are to pf my faves xxx

Great post Pauline, surprised Adam Ant's Stand and Deliver or Prince Charming didn't get a mention xxx

Brings back alot of memories Pauline, How about Rod Stewart sporting those Leopard print leggings x

Slade were my fave glam rock band. Surprised there was only one entry.

Anything by Bowie but probably 5 Years! x

The first wave of 70s glam rock looks a bit tacky to me, probably because I'm too young to appreciate it. But the second gen, the late-80s big hair shenanigans is fantastic. Was in a 'glam band' for while and getting paid to look girlie.

The pluses were attracting, eh, quite liberal-minded women; the downside... the discovery of maintenance. Wearing make-up for a few hours requires *a lot* of work.

Pauline, you've covered all of them for me xxx